Beavis & Butthead and the law, or: How norm-related sonic knowledge works
In an earlier post, I wrote about heuristics in our project. The aim was to describe a conceptual framework, which […]
Introduction clip research project “norm-related sonic knowledge”
Corona is locking me in at home…I am messing around a bit with what YouTube can do for me and […]
Wittgenstein, Davidson and Halford: the heuristics of studying norm-related sonic knowledge
This is the first post, which ‘officially’ discusses my research in the new project ‘Norm-related sonic knowledge in Heavy Metal […]
Oral history as a method in research on local metal scenes
This week, I started working in the research project ‘Norm-Related Sonic Knowledge in Heavy Metal Culture: A Case Study of the […]
“Too late, too late…?” On the norm-related sonic knowledge of female aggression
Female emancipation in metal – too late? In 1979, Motörhead released the song ‘Too Late Too Late’ as a b-side […]
‘Fandom’ and ‘scholarship’: Comparing two cultural-historical institutions
I ended my last post on the paradox at the heart of metal studies with the suggestion that cultural history, […]
The paradox at the heart of metal studies
Over the last two days, I had the wonderful opportunity of taking part in the inspiring Hardwired VII conference at […]
On the history of the ‘metal ear’ and methodological ‘distant listening’
Currently, I am in a phase of revising some older texts on metal cultural history. During these revisions I realized […]
On interdisciplinary and transdisciplinary cooperations in metal music studies
Currently, I am putting final touches on the manuscript of my book on European metal cultural history.1 In this stage […]
Putting metal in its time!? Theoretical, methodological and empirical observations on ‘locating metal’ by a historian.
In the recent stage of gaining clearer contours as an independent field, metals studies scholars have demanded more theoretical self-reflection […]