Writing about writing about heavy metal, part four: how do you explain (Styrian) heavy metal?
Since my last blog post on the “Mexican experience” of writing about metal, quite some time has passed. Also in […]
Writing about writing about heavy metal, part three: the Mexican experience
Over a month ago now, I had the great pleasure of attending the fifth conference of the “International Society for […]
Writing about writing about heavy metal, part two: theories and methods
In the weeks since my last blog post, the central work in my project on the history of the Styrian […]
Writing about writing about heavy metal
The past year in my project on the history of the law myth in the Styrian metal scene was dedicated […]
“The end complete?”: finishing the empirical phase
The picture above shows part of the table of contents of the catalogue for the exposition “Palette” by the Austrian […]
“Aren’t you the guy doing this metal studies interview stuff?”: On distance and self-reflection
In my recent post, I wrote about oral history as a the method of choice to decode the Styrian metal […]
The Styrian metal scene in 2021: ‘Pandemism’ and localism
Copyright of the elements of the title image: cover artwork ‘Thrashing Death Squad’ EP © MDD/Black Sunset Records 2021; branding […]
Metal scenes: Multi-role agents and scene ethics
In the last few days, I had quite some intense exchanges with crucial agents in the Styrian metal scene, which […]
Covid19, metal studies, and oral history research: A methodological rant
In my last blog post, I attempted to describe the thoroughly digitalized research environment I discovered in our project on […]
Oral history as a method in research on local metal scenes
This week, I started working in the research project ‘Norm-Related Sonic Knowledge in Heavy Metal Culture: A Case Study of the […]