“I, the mask”: A concert under the conditions of the ‘Covid19’ pandemic
Last Saturday, for the first time since March 2020, I attended a metal show at Explosiv youth centre in Graz, […]
1914, ‘The Blind Leading the Blind’: How to represent history in (extreme) metal?
Recently, the Ukranian black and doom metal group 1914 issued their new long-player The Blind Leading the Blind. According to […]
“Why does that guy research heavy metal?” – A short note on metal studies’ acceptance and self-representation within academic discourse
I just returned from an intriguing conference on Mediterranean Europe(s): Images and Ideas of Europe from the Mediterranean Shores in […]